My Childhood Artwork

Like most creatives, art has been my passion from a very young age. Just give me a pad of paper and a pen or two and I'd be happy for hours as a child - and nothing much has changed to this day. At the weekend, I thought it'd be fun to take a little break from my uni work and have a look at some of the artwork I've created over the years.

Painting 20 Summers of Jazz

Recently I received the very exciting news that Manchester Jazz Festival are going to be using a piece of my work across their marketing campaign for their 20th anniversary celebrations this year. Yesterday, the design went live on their website and in the coming weeks there will be lots of physical marketing too, from catalogues, CDs and badges to bus station posters around central Manchester.

The event itself is a 9 day long showcase of contemporary jazz from the north west of England and beyond. So far it has hosted over 4,900 artists, had 200,000 attendees, commissioned 17 new pieces of music and is Manchester's longest running music festival. 2015 will be their 20th annual event and they have teamed up with a company called Marketecture to design their advertising campaign - 'Celebrate 20 Summers of Jazz'. Students from my foundation course at Manchester School of Art were asked to listen and respond visually to one of a set of 20 jazz tracks. The track I was assigned to listen to was 'Makanitza - Gankino Horo'. We could choose to work in any medium and size we felt appropriate and I chose to work in oil paint.

In terms of my process, quite obviously I began by listening to the track I had been given from beginning to end. My knowledge of jazz music is incredibly limited, however I feel as though this helped me in creating the most raw and honest response I possibly could to the music I was hearing. There were no limiting pieces of information or facts to hold me back, I simply locked myself away, put the track on repeat, and made art. The key for me was never to think about what I thought the jazz festival wanted me to make. As far as possible I wanted to forget that this was for a brief at all. Only then could my work be a true and honest response to the music. Allowing myself the freedom to create honestly was my main focus, rather than making what I hoped they would like. Aside from this, the idea behind the painting was movement and vitality. The first thing I immediately thought of when I heard the music was a far away marketplace, and I wanted to capture the spirit of this rhythm with swirling motions and bright vibrant colours. On a personal level, it was such a refreshing change to make a painting based on sound an emotion. My university work has been very typographical/design based recently and it's been a long time since I spent time with just a canvas, paint and my thoughts.

This has been my first ever experience with working on a live brief in the industry and I am so grateful for the experience, and the fact that my work has been chosen by 'folk who know what they're doing' is such a huge compliment. To have my painting out there online for the world to see and see my name printed on the 'partners' page is surreal. I can't wait to share some of the physical marketing on here once is trickles down into my little hands. For now though, I have added some screenshots of the online visuals and below is a computer generated mock-up made by Marketecture of the kind of thing that will be popping up around Manchester in the coming weeks (where the colours are will be replaced by the image of my painting). I feel so lucky to have been given this opportunity and it makes it all the more exciting that the results will be on display around my home city this summer. So if you happen to live in Manchester - keep an eye out!

Manchester Jazz Festival runs from 31st July - 9th August 2015

You can check out their website for more information about the event (+ see my work!) here: www.manchesterjazz.com

5 Tips For Visually Interesting Sketchbooks

What is it about sketchbooks that make them so intriguing to touch and feel? Is it the fact that they're the most raw insight into a persons creative process? It's no secret that I take great pride in my sketchbooks. Throughout my foundation course it's the thing that I have really consistently enjoyed creating and I actively look forward to updating mine on a daily basis. While a sketchbook is the least judgmental and most forgiving of any artwork, for some it can almost feel too free, and blank pages can be very intimidating! Recently I have shared some snapshots into my own sketchbooks (here and here if you're interested) and today I want to share some ideas and suggestions on how you could go about making your own sketchbook more visually intriguing.  

1. Keep Everything 
For me, displaying bits and pieces from my creative process is a big part of creating an interesting sketchbook. It can be hard to remember to do this to begin with but soon enough it'll become second nature. Everything from paper offcuts to material samples and receipts, anything that tells the story of your working process will make a great addition to a page. Your sketchbook will soon become something of a record of how your work was created which can be so fun to look back on.

2. Methods Of Attachment 
Something that I have found to be useful when I feel like a page is looking a bit dull is using a variety of methods for attaching page elements. For example, if you have a photograph, you might just glue it down with a regular glue stick, or you could use a ripped bit of making tape, a staple, a safety pin, sticky tape around the edge, use string, split pins etc etc. It's surprising how effective this can be at changing the whole look and feel of a page.

3. Variety Is Key
If you want to keep your sketchbook visually interesting throughout for either yourself or the viewer, having a variety of page styles is a great way to achieve this. One page might be full of drawing while the next is a written brainstorm, and the next might be photographs of your process or a mixture of techniques. Try to switch it up every now and again if you tend to stick to one style.

4. Bulk
"Bulk? What the heck is bulk?" I hear you ask. Well my friends, 'bulk' is what me and all of my friends at art school strive for in our sketchbooks. Have you ever seen a sketchbook that is so full to the brim that it will barely close? Yep - that's what we're all after! There's something so beautiful about a book that's so teeming with life, ideas and creativity. Of course, that's not to say that this suits everybody's style and taste, but for me, there's no greater feeling than literally seeing my sketchbook grow in size.

5. Learn To Let Go
This is probably the most important tip that I can give. Your sketchbook is yours and yours only. Ultimately you get to choose what goes in, how you want to work and who gets to see it. Learning to let go and be free with your creative self it vital. Don't hold back - your sketchbook is somewhere you should be able to make a mistake and not lose sleep over it! Don't get caught up with making everything look perfect, just let yourself create without worry and everything else will follow suit.

While these are just some of the things I do when making my own books, the best thing about a sketchbook is that it is completely personal to the creator. You may decide that non of these tips apply to your taste (although I would recommend considering #5!). The most important thing is to express yourself freely - there really are no rules!
What are some of the things you like to do when creating your sketchbooks? I'd love to know about your process! 

Why I'm Obsessed With Libraries (You Should Be Too!)

I think most of us probably visited the library as a child. I know I used to make regular visits to my local library, searching through what seemed to be endless tales of far away places, it seemed like a magical place where I could go anywhere I liked. But how many of us continue this childhood fascination with libraries as we grow older? Well, until a few years ago, I can't say I did. Now I've fallen back in love with them, and I thought I'd tell you why!

I currently have 3 library cards to my name, which give me access to a total of 43 different libraries in my surrounding area. Some of these libraries hold well over a million books inside including the second largest public lending library in Britain (Manchester Central Library). Firstly, I cannot even begin to imagine the staggering number of books I have at my fingertips. How could anybody find this anything other than completely mesmerising? There's more books available to all of us in our local libraries than anybody could possibly hope to read in a lifetime. The wealth of free information available to us is astonishing and this is why I have become so obsessed with the things!

Something you may not know is that most libraries these days have a website which allows you to login, track your loans, renew books, reserve books and search the library catalogue. This has become an invaluable tool for me, especially as a student. Say I see a book I want to read, or there's a specific subject I'm researching into, the very first thing I'll do is search the library catalogues from home to check if anywhere has what I'm looking for. If they do, I'll either reserve it or just go down and find it on the shelves myself. Because of the sheer number of books combined in the 43 libraries available to me, 95% of the time one of them has what I'm looking for. Usually, libraries within a given area will also ship books between themselves so you can pick it up wherever is most convenient. It's like Amazon - except it's free! As an art student, it simply isn't feasible for me to buy all of the books I want, but there really is no need to when I can get access to almost any book at no cost. There's also something quite wonderful about leafing through a book that has a borrowed stamp inside the cover dated from before I was even born.

Of course, there are some books that we'd just like to own for ourselves. That's fine - I still buy the odd book here and there. Maybe I like the design of it or I want to keep it on my shelf for reference, but how often do we buy a book that we read once and then never pick up again? It's refreshing to be able to borrow a book and hand it back once I'm finished so they don't just end up gathering dust on my shelves. I know I haven't been the first to read that book, and I know I won't be the last.

So maybe I sound a bit of an old fashioned, but I'm completely sold on libraries. What do you think? Do you use your local library? Why, or why not?